With normal Godardian insouciance it’s all filmed in contrasty black-and-white, in and all-around contemporary Paris, but its enduring charm is The mixture of don’t-care larkishness, amiable major lug Eddie Constantine doing his difficult-dude detail, and a profound underlying seriousness drawing cogent connections in between the brutality of fascism and engineering’s https://www.youtube.com/watch?v=vf5KlMQEINY&t